Exuberant performances from a cast led by Fantasia Barrino, Taraji P. Henson and Danielle Brooks breathe life into Blitz Bazawule's stirring "The Color Purple," adapted from the Tony-winning Broadway production.

Alice Walker 's Pulitzer Prize-winning 1982 novel, which Steven Spielberg turned into the 1985 film, may be an unlikely book for such bright adaptations. Walker's novel, told through Celie's letters penned to God, is harrowingly bleak in its tale of trauma, poverty, abuse and rape. Much of Walker's "The Color Purple" doesn't scream song and dance.

The "Barbie" power ballad "I'm Just Ken" and AP and Frontline's documentary "20 Days in Mariupol" just got one step closer to an Oscar nomination. The Academy of Motion Picture Arts and Sciences announced Thursday shortlists in 10 categories, including best original song, documentary feature, international feature, original score, and crafts like hair and makeup, visual effects and sound.

Mstyslav Chernov's "20 Days in Mariupol" was shortlisted in both the documentary and international feature categories, representing Ukraine in the latter.

She's Barbie. He's just Ken. And now, it's Christmas.

On Wednesday, Ryan Gosling — the Ken to Margot Robbie's "Barbie" in the film — released the "I'm Just Ken" EP alongside collaborators Mark Ronson and Andrew Wyatt. It features the original Grammy-nominated, '80s-style power ballad from the movie, also titled "I'm Just Ken," as well as three remixes: the stripped down "I'm Just Ken (In My Feelings Acoustic)," the dance floor ready "I'm Just Ken (Purple Disco Machine Remix)," and the festive "I'm Just Ken (Merry Kristmas Barbie)."

A romance that united sports and music fans, a celestial wonder that drew millions of eyes skyward and a spiritual homecoming for some Native American tribes were just some of the moments that inspired us and brought joy in 2023.

In a year that saw multiple wars, deadly mass shootings, earthquakes, wildfires, sexual harassment stories and other tragedies, these events were among those that broke through the tumult of 2023 and made people feel hopeful.

Martin Scorsese will be honored for his lifetime achievement at the Berlin International Film Festival in February, organizers said Thursday.

The 81-year-old director, whose extensive work ranges from decades-old classics such as "Taxi Driver" and "Raging Bull" to this year's "Killers of the Flower Moon," will be given an honorary Golden Bear — the festival's top award — on Feb. 20.

Zac Efron didn't realize how much he needed a hug.

He'd transformed himself into a mass of muscle and repressed emotion to play professional wrestler Kevin Von Erich in the new film "The Iron Claw." It was a taxing role and unlike anything he'd done before, both physically and psychologically. He often found himself with real bruises from recreating fights in the ring. Downtime between shots, too, was usually spent lifting.

Chicago Botanic Garden is dazzling patrons and visitors from around the world with their fifth annual holiday display of light and music: Lightscape.

Clusters of multigenerational households push strollers, carry children and walk arm in arm with older relatives as they navigate the 1.3-mile (2.1-kilometer) experience in the village of Glencoe, near Chicago.

Love songs of Egyptian diva Umm Kalthoum boom across the Tel Aviv theatre where Arabs and Jews seek solace from the deadly Hamas-Israel war raging only miles away.

"On stage three Jews and three Arabs deliver their lines in Hebrew and sing in Arabic," said play director Igal Ezraty.

Prince Harry won his phone hacking lawsuit Friday against the publisher of the Daily Mirror and was awarded over 140,000 pounds ($180,000) in the first of his several lawsuits against British tabloids to go to trial.

Justice Timothy Fancourt in the High Court found phone hacking was "widespread and habitual" at Mirror Group Newspapers over many years and private investigators "were an integral part of the system" to gather information unlawfully. He said executives at the papers were aware of the practice and covered it up.

"Poor Things" is a Frankenstein-esque fantasia about a young woman (Emma Stone) reanimated by a demented surgeon (Willem Dafoe), but the behind-the-scenes work that went into crafting the movie's wildly warped world may be the film's greatest act of mad science.

Though Yorgos Lanthimos' earlier films — at least leading up to "The Favourite" — were more spare productions, "Poor Things" fuses all the tools of classic Hollywood filmmaking — grand sets, miniatures, sumptuous costumes — with subtler touches of modern technology. The movie is, itself, a Frankenstein.